The exhibition space is restructured through textile interventions composed of blue and red knitted sweaters. The garments are connected to form spatial surfaces and passages that temporarily alter the geometry of the room. Color operates not as decoration, but as a spatial organizing principle. Blue and red generate distinct atmospheric zones, influencing orientation, proximity, and distance. Light conditions, material density, and the movement of visitors shape the perception of the installation. The space is not only viewed but physically entered, navigated, and experienced. Color becomes visible as an active, space-forming event — a medium that directs perception and redefines spatial relationships.